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"Nottage is one of our finest playwrights, a smart, empathetic, and daring storyteller who tells a story an audience won't expect."—Time Out New York
"Lynn Nottage's work explores depths of humanness, the overlapping complexities of race, gender, culture and history—and the startling simplicity of desire—with a clear tenderness, with humor, with compassion."—Paula Vogel, Pulitzer Prize–winning playwright
In her first new play since the critically acclaimed Ruined, Lynn Nottage examines the legacy of African Americans in Hollywood in a dramatic stylistic departure from her previous work. Fluidly incorporating film and video elements into her writing for the first time, Nottage's comedy tells the story of Vera Stark, an African American maid and budding actress who has a tangled relationship with her boss, a white Hollywood star desperately grasping to hold onto her career. Stirring audiences out of complacency by tackling racial stereotyping in the entertainment industry, Nottage highlights the paradox of black actors in 1930s Hollywood while jumping back and forward in time and location in this uniquely theatrical narrative. By the Way, Meet Vera Stark premiered in New York in 2011 and will receive productions at Los Angeles's Geffen Playhouse in fall 2012 and Chicago's Goodman Theatre and The Lyric Stage Company of Boston in spring 2013.
Lynn Nottage's plays include the Pulitzer Prize–winning Ruined; Intimate ApparelFabulation, or the Re-Education of Undine; Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por'Knockers; and POOF!
- Sales Rank: #129785 in eBooks
- Published on: 2013-09-30
- Released on: 2013-09-30
- Format: Kindle eBook
About the Author
Lynn Nottage’s new play, By The Way, Meet Vera Stark, enjoyed an extended run Off-Broadway at Second Stage Theatre (Lily Award, Drama Desk Nomination). It can be seen this upcoming season at The Geffen Playhouse and Goodman Theatre. Her Pulitzer Prize-winning play Ruined premiered at Manhattan Theatre Club and Goodman Theatre (OBIE, Lucille Lortel, New York Drama Critics’ Circle, Audelco, Drama Desk, and Outer Critics Circle Award for Best Play). It subsequently toured widely throughout US regional theatres and premiered internationally at the Almeida Theatre in London. The play has since been produced throughout the world, including Cambodia, Chad, The Caribbean, The Democratic Republic of Congo, and Germany. Her other plays include Intimate Apparel (American Theatre Critics and New York Drama Critics’ Circle Awards for Best Play); Fabulation, or The Re-Education of Undine (OBIE Award); Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por’knockers and POOF!.
Nottage is the recipient of the 2010 Steinberg Distinguished Playwright Award, the Dramatists Guild Hull-Warriner Award, the inaugural Horton Foote Prize for Outstanding New American Play (Ruined), Helen Hayes Award (Ruined), the Lee Reynolds Award, and the Jewish World Watch iWitness Award. Her other honors include the 2007 MacArthur Foundation “Genius Grant,” the National Black Theatre Festival’s August Wilson Playwriting Award, the 2005 Guggenheim Grant for Playwriting, the 2004 PEN/Laura Pels Award for Drama, as well as fellowships from the Lucille Lortel Foundation, Manhattan Theatre Club, New Dramatists and New York Foundation for the Arts. She is a graduate of Brown University and the Yale School of Drama, where she is currently a visiting lecturer. She is a co-founder and producer at Market Road Films LLC, a film production company.
Nottage is a board member for Theatre Communications Group, BRIC Arts Media Bklyn, Donor Direct Action, The New Black Fest, Voice and Vision, and the Dramatists Guild.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Great Play!
By Tia Robinson
The subject matter, and the writing, in this play is superb! Love it...can't wait until I have a chance to play Vera!
2 of 2 people found the following review helpful.
Very interesting
By All.User.Names.Must.Be.Unique
A frame tale is always sure to reel me in, but this one is different because of its social commentary on race and challenges presented to actors, and especially black actors, in the days of the depression.
0 of 0 people found the following review helpful.
Great
By Nickolas Geeker
Great and delivered quickly!
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