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Alexander's Bridge (Vintage Classics), by Willa Cather
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Alexander’s Bridge, Willa Cather’s first novel, is a taut psychological drama about the fragility of human connections. Published in 1912, just a year before O Pioneers! made Cather’s name, it features high society on an international stage rather than the immigrant prairie characters she later became known for. The successful and glamorous life of Bartley Alexander, a world-renowned engineer and bridge builder, begins to unravel when he encounters a former lover in London. As he shuttles among his wife in Boston, his old flame in London, and a massive bridge he is building in Canada, Alexander finds himself increasingly tormented. But the threatened collapse of his marriage presages a more fatal catastrophe, one he will risk his life to try to prevent.
BONUS: The edition includes an excerpt from The Selected Letters of Willa Cather.
- Sales Rank: #1002196 in eBooks
- Published on: 2013-01-16
- Released on: 2013-01-16
- Format: Kindle eBook
About the Author
Willa Cather was born near Winchester, Virginia, in 1873. When she was ten years old, her family moved to the prairies of Nebraska, later the setting for a number of her novels. At the age of twenty-one, she graduated from the University of Nebraska, and she spent the next few years doing newspaper work and teaching high school in Pittsburgh. In 1903, her first book, April Twilights, a collection of poems, was published, and two years later The Troll Garden, a collection of stories, appeared in print. After the publication of her first novel, Alexander’s Bridge, in 1912, Cather devoted herself full time to writing, and over the years she completed eleven more novels (including O Pioneers!, My Ántonia, The Professor’s House, and Death Comes for the Archbishop), four collections of short stories, and two volumes of essays. Cather won the Pulitzer Prize for One of Ours in 1923. She died in 1947.
Excerpt. © Reprinted by permission. All rights reserved.
ONE
Late one brilliant April afternoon Professor Lucius Wilson stood at the head of Chestnut Street, looking about him with the pleased air of a man of taste who does not very often get to Boston. He had lived there as a student, but for twenty years and more, since he had been Professor of Philosophy in a Western university, he had seldom come East except to take a steamer for some foreign port. Wilson was standing quite still, contemplating with a whimsical smile the slanting street, with its worn paving, its irregular, gravely colored houses, and the row of naked trees on which the thin sunlight was still shining. The gleam of the river at the foot of the hill made him blink a little, not so much because it was too bright as because he found it so pleasant. The few passers-by glanced at him unconcernedly, and even the children who hurried along with their school-bags under their arms seemed to find it perfectly natural that a tall brown gentleman should be standing there, looking up through his glasses at the gray housetops.
The sun sank rapidly; the silvery light had faded from the bare boughs and the watery twilight was setting in when Wilson at last walked down the hill, descending into cooler and cooler depths of grayish shadow. His nostril, long unused to it, was quick to detect the smell of wood smoke in the air, blended with the odor of moist spring earth and the saltiness that came up the river with the tide. He crossed Charles Street between jangling street cars and shelving lumber drays, and after a moment of uncertainty wound into Brimmer Street. The street was quiet, deserted, and hung with a thin bluish haze. He had already fixed his sharp eye upon the house which he reasoned should be his objective point, when he noticed a woman approaching rapidly from the opposite direction. Always an interested observer of women, Wilson would have slackened his pace anywhere to follow this one with his impersonal, appreciative glance. She was a person of distinction he saw at once, and, moreover, very handsome. She was tall, carried her beautiful head proudly, and moved with ease and certainty. One immediately took for granted the costly privileges and fine spaces that must lie in the background from which such a figure could emerge with this rapid and elegant gait. Wilson noted her dress, too,—for, in his way, he had an eye for such things,—particularly her brown furs and her hat. He got a blurred impression of her fine color, the violets she wore, her white gloves, and, curiously enough, of her veil, as she turned up a flight of steps in front of him and disappeared.
Wilson was able to enjoy lovely things that passed him on the wing as completely and deliberately as if they had been dug-up marvels, long anticipated, and definitely fixed at the end of a railway journey. For a few pleasurable seconds he quite forgot where he was going, and only after the door had closed behind her did he realize that the young woman had entered the house to which he had directed his trunk from the South Station that morning. He hesitated a moment before mounting the steps. “Can that,” he murmured in amazement,—“can that possibly have been Mrs. Alexander?”
When the servant admitted him, Mrs. Alexander was still standing in the hallway. She heard him give his name, and came forward holding out her hand.
“Is it you, indeed, Professor Wilson? I was afraid that you might get here before I did. I was detained at a concert, and Bartley telephoned that he would be late. Thomas will show you your room. Had you rather have your tea brought to you there, or will you have it down here with me, while we wait for Bartley?”
Wilson was pleased to find that he had been the cause of her rapid walk, and with her he was even more vastly pleased than before. He followed her through the drawing-room into the library, where the wide back windows looked out upon the garden and the sunset and a fine stretch of silver-colored river. A harp-shaped elm stood stripped against the pale-colored evening sky, with ragged last year’s birds’ nests in its forks, and through the bare branches the evening star quivered in the misty air. The long brown room breathed the peace of a rich and amply guarded quiet. Tea was brought in immediately and placed in front of the wood fire. Mrs. Alexander sat down in a high-backed chair and began to pour it, while Wilson sank into a low seat opposite her and took his cup with a great sense of ease and harmony and comfort.
“You have had a long journey, haven’t you?” Mrs. Alexander asked, after showing gracious concern about his tea. “And I am so sorry Bartley is late. He’s often tired when he’s late. He flatters himself that it is a little on his account that you have come to this Congress of Psychologists.”
“It is,” Wilson assented, selecting his muffin carefully; “and I hope he won’t be tired tonight. But, on my own account, I’m glad to have a few moments alone with you, before Bartley comes. I was somehow afraid that my knowing him so well would not put me in the way of getting to know you.”
“That’s very nice of you.” She nodded at him above her cup and smiled, but there was a little formal tightness in her tone which had not been there when she greeted him in the hall.
Wilson leaned forward. “Have I said something awkward? I live very far out of the world, you know. But I didn’t mean that you would exactly fade dim, even if Bartley were here.”
Mrs. Alexander laughed relentingly. “Oh, I’m not so vain! How terribly discerning you are.”
She looked straight at Wilson, and he felt that this quick, frank glance brought about an understanding between them.
He liked everything about her, he told himself, but he particularly liked her eyes; when she looked at one directly for a moment they were like a glimpse of fine windy sky that may bring all sorts of weather.
“Since you noticed something,” Mrs. Alexander went on, “it must have been a flash of the distrust I have come to feel whenever I meet any of the people who knew Bartley when he was a boy. It is always as if they were talking of some one I had never met. Really, Professor Wilson, it would seem that he grew up among the strangest people. They usually say that he has turned out very well, or remark that he always was a fine fellow. I never know what reply to make.”
Wilson chuckled and leaned back in his chair, shaking his left foot gently. “I expect the fact is that we none of us knew him very well, Mrs. Alexander. Though I will say for myself that I was always confident he’d do something extraordinary.”
Mrs. Alexander’s shoulders gave a slight movement, suggestive of impatience. “Oh, I should think that might have been a safe prediction. Another cup, please?”
“Yes, thank you. But predicting, in the case of boys, is not so easy as you might imagine, Mrs. Alexander. Some get a bad hurt early and lose their courage; and some never get a fair wind. Bartley”—he dropped his chin on the back of his long hand and looked at her admiringly—“Bartley caught the wind early, and it has sung in his sails ever since.”
Mrs. Alexander sat looking into the fire with intent preoccupation, and Wilson studied her half-averted face. He liked the suggestion of stormy possibilities in the proud curve of her lip and nostril. Without that, he reflected, she would be too cold.
“I should like to know what he was really like when he was a boy. I don’t believe he remembers,” she said suddenly. “Won’t you smoke, Mr. Wilson?”
Wilson lit a cigarette. “No, I don’t suppose he does. He was never introspective. He was simply the most tremendous response to stimuli I have ever known. We didn’t know exactly what to do with him.”
A servant came in and noiselessly removed the tea-tray. Mrs. Alexander screened her face from the firelight, which was beginning to throw wavering bright spots on her dress and hair as the dusk deepened.
“Of course,” she said, “I now and again hear stories about things that happened when he was in college.”
“But that isn’t what you want.” Wilson wrinkled his brows and looked at her with the smiling familiarity that had come about so quickly. “What you want is a picture of him, standing back there at the other end of twenty years. You want to look down through my memory.”
She dropped her hands in her lap. “Yes, yes; that’s exactly what I want.”
At this moment they heard the front door shut with a jar, and Wilson laughed as Mrs. Alexander rose quickly. “There he is. Away with perspective! No past, no future for Bartley; just the fiery moment. The only moment that ever was or will be in the world!”
The door from the hall opened, a voice called “Winifred?” hurriedly, and a big man came through the drawing-room with a quick, heavy tread, bringing with him a smell of cigar smoke and chill out-of-doors air. When Alexander reached the library door, he switched on the lights and stood six feet and more in the archway, glowing with strength and —cordiality and rugged, blond good looks. There were other bridge—builders in the world, certainly, but it was always Alexander’s picture that the Sunday Supplement men wanted, because he looked as a tamer of rivers ought to look. Under his tumbled sandy hair his head seemed as hard and powerful as a catapult, and his shoulders looked strong enough in themselves to support a span of any one of his ten great bridges that cut the air above as many rivers.
After dinner Alexander took Wilson up to his study. It was a large room over the library, and looked out upon the black river and the row of white lights along the Cambridge Embankment. The room was not at all what one might expect of an engineers study. Wilson felt at once the harmony of beautiful things that have lived long together without obtrusions of ugliness or change. It was none of Alexander's doing, of course; those warm consonances of color had been blending and mellowing before he was born. But the wonder was that he was not out of place there, —that it all seemed to glow like the inevitable background for his vigor and vehemence. He sat before the fire, his shoulders deep in the cushions of his chair, his powerful head upright, his hair rumpled above his broad forehead. He sat heavily, a cigar in his large, smooth hand, a flush of after dinner color in his face, which wind and sun and exposure to all sorts of weather had left fair and clear-skinned.
“You are off for England on Saturday, Bartley, Mrs. Alexander tells me.”
“Yes, for a few weeks only. There’s a meeting of British engineers, and I’m doing another bridge in Canada, you know.”
“Oh, every one knows about that. And it was in Canada that you met your wife, wasn’t it?”
“Yes, at Allway. She was visiting her great-aunt there. A most remarkable old lady. I was working with MacKeller then, an old Scotch engineer who had picked me up in London and taken me back to Quebec with him. He had the contract for the Allway Bridge, but before he began work on it he found out that he was going to die, and he advised the committee to turn the job over to me. Otherwise I’d never have got anything good so early. MacKeller was an old friend of Mrs. Pemberton, Winifred’s aunt. He had mentioned me to her, so when I went to Allway she asked me to come to see her. She was a wonderful old lady.”
“Like her niece?” Wilson queried.
Bartley laughed. “She had been very handsome, but not in Winifred’s way. When I knew her she was little and fragile, very pink and white, with a splendid head and a face like fine old lace, somehow,—but perhaps I always think of that because she wore a lace scarf on her hair. She had such a flavor of life about her. She had known Gordon and Livingstone and Beaconsfield when she was young,—every one. She was the first woman of that sort I’d ever known. You know how it is in the West,—old people are poked out of the way. Aunt Eleanor fascinated me as few young women have ever done. I used to go up from the works to have tea with her, and sit talking to her for hours. It was very stimulating, for she couldn’t tolerate stupidity.”
“It must have been then that your luck began, Bartley,” said Wilson, flicking his cigar ash with his long finger. “It’s curious, watching boys,” he went on reflectively. “I’m sure I did you justice in the matter of ability. Yet I always used to feel that there was a weak spot where some day strain would tell. Even after you began to climb, I stood down in the crowd and watched you with — well, not with confidence. The more dazzling the front you presented, the higher your façade rose, the more I expected to see a big crack zigzagging from top to bottom,”—he indicated its course in the air with his forefinger,—“then a crash and clouds of dust. It was curious. I had such a clear picture of it. And another curious thing, Bartley,”—Wilson spoke with deliberateness and settled deeper into his chair,—“is that I don’t feel it any longer. I am sure of you.”
Alexander laughed. “Nonsense! It’s not I you feel sure of; it’s Winifred. People often make that mistake.”
“No, I’m serious, Alexander. You’ve changed. You have decided to leave some birds in the bushes. You used to want them all.”
Alexander’s chair creaked. “I still want a good many,” he said rather gloomily. “After all, life doesn’t offer a man much. You work like the devil and think you’re getting on, and suddenly you discover that you’ve only been getting yourself tied up. A million details drink you dry. Your life keeps going for things you don’t want, and all the while you are being built alive into a social structure you don’t care a rap about. I sometimes wonder what sort of chap I’d have been if I hadn’t been this sort; I want to go and live out his potentialities, too. I haven’t forgotten that there are birds in the bushes.”
Bartley stopped and sat frowning into the fire, his shoulders thrust forward as if he were about to spring at something. Wilson watched him, wondering.
Most helpful customer reviews
11 of 11 people found the following review helpful.
A Bridge to Her Better Work
By M. Allen Greenbaum
This was Willa Cather's first novel, and, while showing glimpses of her later talent, is mostly disappointing. The metaphor of the bridge--the conduit to both the past and the future--figures prominently in this story of a Boston architect torn between his ongoing "mid-life" crisis and his energetic, passion-filled past.
The story contains some heavy-handed symbolism (e.g., the bridge), melodramatic action ("With one [hand] he threw down the window and with the other--still standing behind her--he drew her back against him), and awkward phrasing: "'He was simply the most tremendous response to stimuli I have ever known.'"
Still, the story moves along well, and there is an interesting Henry James-like contrast of Europe and America. The beginning nicely portrays the Boston upper class, and the dramatic conclusion includes passages of great strength and imagination. It is in this last chapter, especially, that her skills are most evident. Willa Cather is the Pulitzer Prize winning author of "O Pioneers!" "My Antonia," and other great works. Definitely recommended for those with an interest in her work.
9 of 9 people found the following review helpful.
An ersatz Edith Wharton masquerading as Willa Cather
By D. Cloyce Smith
Light on plot, heavy on symbolism, and a little predictable, Cather's first novel (a novella, actually) still contains moments of brilliance, especially in its strong characterizations and occasional flashes of wit. The story concerns a Boston architect who is contendedly married but suddenly embarks on an affair in London with an old flame from his youth. He soon becomes tormented over his double life but finds himself unable to resolve his conflicted feelings. Heavily indebted to the Gilded Age novelists, "Alexander's Bridge" reads like a typical first novel from a writer who shows a lot of promise.
Later in life, Cather wrote an essay entitled "My First Novels (There Were Two)," as close to an apology for a first novel as most writers ever make. She admitted that most of the "younger writers" in her peer group followed the manner of Henry James and Edith Wharton, "without having their qualifications"; she "thought a book should be made out of 'interesting material.'" Only while writing her next novel, "O Pioneers!," did she realize that "taking a ride through a familiar country"--the rural Nebraska of her youth--was "a much more absorbing process." Nevertheless, "Alexander's Bridge" hints at the virtuoso novelist she was later to become, and it's certainly better than many writers achieve in an entire lifetime.
2 of 2 people found the following review helpful.
Cather's first novel
By Bomojaz
Willa Cather's first novel, it concerns the life of engineer Bartley Alexander, the bridge he's building across the St. Lawrence River in Quebec, and the triangular relationship he has with his wife and mistress. The bridge becomes a symbol for his failures: the great bridge he's building collapses (causing his death) at the same time his affair with Hilda collapses. Cather had only published short stories before this, and was reluctant (though resigned) to writing a novel. It's a short work, and Cather herself thought it was shallow and trite (she almost disowned it). Her next work, O PIONEERS, would be much better.
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