Ebook Panic 2012: The Sublime and Terrifying Inside Story of Obama's Final Campaign (A BuzzFeed/Bl ue Rider Press Book), by Michael Hastings
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Panic 2012: The Sublime and Terrifying Inside Story of Obama's Final Campaign (A BuzzFeed/Bl ue Rider Press Book), by Michael Hastings
Ebook Panic 2012: The Sublime and Terrifying Inside Story of Obama's Final Campaign (A BuzzFeed/Bl ue Rider Press Book), by Michael Hastings
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One of America’s most important young journalists delivers the first substantial piece of narrative nonfiction to chronicle the hard-fought closing months of the 2012 presidential campaign in PANIC 2012. Michael Hastings – BuzzFeed correspondent at large; Rolling Stone contributor; George Polk Award winner; and critically acclaimed, New York Times-bestselling author of The Operators – presents an in-your-face, on-the-ground, real-time, singular account of how the Obama campaign privately panicked and ultimately recovered after the President’s disastrous performance in his first debate with Mitt Romney. In the tradition of iconoclastic journalists such as Hunter S. Thompson, Richard Ben Cramer, and P. J. O’Rourke, Hastings offers an edgy, rollicking, wholly original portrayal of the enormous and intense political operation that is an American presidential campaign.
- Sales Rank: #455106 in eBooks
- Published on: 2013-01-15
- Released on: 2013-01-15
- Format: Kindle eBook
Most helpful customer reviews
35 of 39 people found the following review helpful.
If you're first, you don't have to be the best - as long as it's a good standard
By Nathan Webster
This is an appropriately-priced e-book, and is a solid example of what the format can provide - longform nonfiction work that's timely right now, but would be much less so in six months when a reader's attention has been diverted (Politico's Kindle series is good too, though I've only read excerpts).
It's a fun read, with plenty of behind-the-scenes anecdotes collected in one lengthy format. Hastings' accounts of his often contentious relations with fellow journalists and Obama campaign officials are entertaining and snarkily told. His reporting - a lot of which his endnotes explain was compiled by and credited to other journalists - gives a good, broad overview of the last couple months of the Obama campaign, when things looked good for his reelection, then horrible, then okay, then unsure, until the victory that with hindsight looks inevitable - I mean, President Romney? Really? Just three months later, that seems so silly.
Hastings is at his best when he goes after everyone with his brand of lacerating humor. He describes Press Secretary Jay Carney as a "regime collaborator," which is just so over-the-top and meanspirited and original - and appropriate. Carney, a former Time reporter, crossed over to the bigtime of politics, so if he's not a "collaborator," what is he?
The biggest flaw is there's not enough in the book of what makes Hastings work so fun to read. In The Operators, which I also liked, he related point-by-point conversations with exquisite detail - he looked bad, they looked bad, everybody looked bad. But it was honest, and that gave it value.
Here, he often starts what could be an equally great scene, but doesn't go far enough. He tries to crash a dinner of campaign officials (Jon Favreau, Samantha Powers, others) and is turned away - rudely? Politely? He leaves it out, unfortunately.
The book switches between first-person scenes, and after-the-fact reporting, a style he also used in The Operators. In that book, I preferred the first-person parts, but in "Panic 2012," I thought the more objective reported scenes were a little stronger.
Flaws aside, this is ideal for the format. If I'd paid $25 for a hardcover, it might have seemed a little wanting, but I felt good value here. It was a good, quick - but not trifling - read for a flu-ridden day.
If Richard Ben Cramer's What It Takes: The Way to the White House or Hunter Thompson's Fear and Loathing on the Campaign Trail '72 are 10 of 10s on the campaign book scale, this is a solid 7, with reservations for its level of comprehensiveness. That is a price for speed, but the flipside is all these events are still in reader's minds, which makes the narrative a lot more compelling.
This book will be surpassed in months to come. Other reporters, with more access and time will do a better job at retelling this story. The key word is "retelling." Hastings got there first with this entertaining campaign narrative that will satisfy a lot of appetites.
20 of 22 people found the following review helpful.
An absolute mess that's somehow reasonably engrossing
By New Yawkuh
Wow. Sheesh. What an absolute mess. The tone lurches between neutral reportorial and over-the-top gonzo without rhyme or reason; stories with scant payoff are tediously set up; syntax can be so garbled that you find yourself rereading sentences four or five times. You get the feeling the whole thing was dictated while jogging. I realize it's only an e-book, but, c'mon, Hastings, would a second draft have killed you?
Here's a typical sample, describing the election night party in Chicago:
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"Obama delivered his address. The confetti fell, looking even more incredible in digital high definition. The Obama campaign tweeted Barack and Michelle hugging: Four more years. Obama gave a speech, accepting his victory for a final term. Parties at the Fairmont and the Boss Bar went pretty late; there were a few meltdowns at the InterContinental."
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...and that's it. What sort of meltdowns? He doesn't say. Instead, we're on to the day after, and another slew of disjointed, unrewarding observations. (BTW, I don't remember Obama giving two speeches that night. Again, dude: a second draft wouldn't have killed you!)
All the expected junctures are dutifully hit, including a big fat section on Obama's terrible first debate performance. Hastings recounts the lead-up day in tedious detail, but there's no takeaway, just scattered speculations. Obama got some bad advice. He was tired. He had a bumpy plane flight. The moderator killed the room's enthusiasm. It's essentially a chapter-long tap dance around "Geez, I have no idea".
And as for that painfully edgy subtitle: "Sublime and Terrifying Inside Story", there's nothing the least bit sublime or terrifying here. And there's certainly no inside story, unless by "inside" you mean a bedraggled journalist, denied access, padding out his word count with hapless complaints about the monotony of the road and about the many idiots he has to contend with to do his job. The choice to run that subtitle, like the choice to do this as an e-book, reeks of grabby sweaty marketing jazz. Sizzle sans steak. Do as little as you possibly can get away with and hope people jump up and buy.
But here's the thing. In spite of all this, Hastings is such a naturally talented reporter, that, amazingly, the result's not a complete failure. There are good nuggets, and once you figure out that it's not worth the trouble of unravelling the knots, or pondering anything too deeply, this makes for a surprisingly engrossing - though insanely erratic - read in spite of itself. Five bucks? What the hell.
I'll round a 2.5 star rating up to 3, just because you can't give half stars.
9 of 10 people found the following review helpful.
Entertaining
By T. Cannon
I like Michael Hastings. This book starts out sounding like it might be a Hunter Thompson-like "Fear and Loathing" campaign chronicle, but it quickly becomes evident that Hastings isn't that crazy. He paints a pretty clear picture of the White House press corps and what life is like for a peripheral, new media reporter who is "allowed" to come along for the ride. Michael shows how hard it is to get anything from the major campaign players and in the end, paints a very clear picture of how and why the suck-up reporters are what dominates the news we get today. Michael exercises some gonads and admits some mistakes as he learns the ropes. After reading it, I had a clearer understanding of why Hunter Thompson needed so much medication to report on the Nixon campaign back in '72.
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