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Ant-Man: Season One, by Tom Defalco
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It's the origin of the original Avenger, Ant-Man! Hank Pym has been known by a variety of names — including Ant-Man, Giant-Man, Goliath and Yellowjacket — he’s been an innovative scientist, a famed super hero, an abusive spouse and more. What demons drive a man like Hank Pym? And how did he begin his heroic career?
- Sales Rank: #999094 in eBooks
- Published on: 2012-07-11
- Released on: 2012-01-02
- Format: Kindle eBook
About the Author
Tom DeFalco, a former editor-in-chief of Marvel, is the author of DK's Spider-man: The Ultimate Guide. As editor-in-chief and a senior writer, Tom coordinated a massive editorial effort with 9 other creators to develop the Maximum Carnage story.
Most helpful customer reviews
7 of 8 people found the following review helpful.
Hank Pym's a Big Deal for Being Such a Small Dude
By Chajiko
If you have never taken the chance to get to know Hank Pym (ANT-MAN), then take the time to do it, and do it though THIS BOOK. Unlike so many Marvel trades/titles/series available right now, Ant-Man is something you can pick up and read without ANY prior knowledge. It's an excellent way to get your feet wet, and gives some focus to a desperately under-appreciated character.
The story is easy to follow and concise, and follows in some ways more of the older style of comic books rather than some of the newer writing/plot forwarding devices. The art is clear and bold and exciting without being blocky, and the character designs are aesthetically satisfying (not to say they're all PRETTY--they're all solid and suitable).
I may be biased because I LOVE Dr. Pym, but--I thought this was a great book, and a great way to introduce a character that gets made fun of and discounted WAY too often.
Read it--FOR SCIENCE!
7 of 10 people found the following review helpful.
The 'New 52 Ant-Man': impractical artistic changes in story, disappointing changes to the Ant-Man mythos - not worth reading
By M M
My all-time favorite superhero is Hank Pym, and his many, many alternate identities.
In all of the years the Marvel universe has existed, it has never had a single reboot eradicate the decades of layers of continuity incorporated in every in-universe story.
As a longtime fan of Hank Pym who's well-versed in the character's history, I cannot read through this book and think this pretty-boy twenty something is the mature character who's one of the smartest people on Earth. For comic book fans that are familiar with the other Big 2 publisher's recent New 52 reboot, "Ant-Man: Season One" takes Marvel's long-time size-changer expert Hank Pym and changes almost everything about him, to the point where it reads just like one of the many unsuccessful New 52 titles.
The first step the book does in completely changing his character is to de-age him to an irrational, impulsive young widow. Fueled by daddy issues and his token black, basketball-jersey wearing best friend sidekick Bill Foster (also conveniently de-aged to ensure that Hank isn't some loner freak), Hank decides to take on the Egghead corporation he and his friend work for with little foundation or explanation behind the main villain's - Elias Starr's - ulterior motives.
There's a great Hannibal Lecter-esque shot of the MAIN PROTAGONIST past the midpoint of the story that sums up how inaccurate the character portrayals and dynamics of everyone in the story are. The heavily-creator-influenced subplot with Hank and his father was as weak as Hank Pym's angst and reaction over his wife's recent death (of which in one of the early panels, the artist drew Hank smiling when explaining his grief). Every character is one-dimensional and easily forgettable, to the point where I almost missed the moment at the end of the book where (spoilers), his dad dies. Add one more notch on the bedpost of people fridged during this supposed origin story.
The change that irks me the MOST about this book is that it changes Hank Pym's motivations for becoming a superhero by coating it in vengeance and death. Hank Pym is one of my favorite superheroes BECAUSE he doesn't do it because his parents or uncle were murdered, or because he's a god above everyone else, or because he was already rich and had a lot of free time, or because it was his duty to be one. He was just a simple scientist who made one of the biggest breakthroughs in science by discovering a particle that would completely rewrite and demolish the laws of physics as we know it, and then he realized he could use them to become a superhero. No angst. No regret. No ego.
The art and coloring in the book were decent, and I have no problems with them. However, this book isn't "Ant-Man: Season One". It's more like an alternate version of Hank Pym, and for longtime Marvel fans who are familiar with the Ultimate version of Pym, I wouldn't have minded seeing this "Ultimate Spider-Man-esque" Pym instead in the 1610-verse.
Ultimately, this book does a disservice to people that are actually familiar with the character, and is a horrible introduction for anyone unfamiliar with Henry Pym. I wouldn't want to read this more than once, or ever again after finishing up writing this review.
If you're interested in learning about Hank Pym, skip this book and read something else, like Slott's run on Mighty Avengers, the nicely collected trade paperback "The Many Faces of Henry Pym", or the original Ant-Man stories collected in Marvel Masterworks. Please don't read this.
0 of 0 people found the following review helpful.
A Modern Retelling of Pym's Origins
By Adam Graham, Superhero and Detective Fiction Author
Ant-Man Season One has a mix of good and bad on it as it tells a new version of Ant Man (Hank Pym's) origin story. On one hand, both writing and art are fundamentally good. Tom DeFalco is a legendary comic book writer and his work on this book is up to his usual standards. Horacio Domingues is a talented artist that brings a more European style to the book that looks great.
The story itself manages to be a modern day update of the Ant Man origin story with terrorists replacing the Communists as the culprits behind the murder of the first Mrs. Hank Pym. That event is given more weight and it feels less like the throw away death that the writers created as an excuse for Pym to become a crimefighter. The story imagines Pym as having a history of mental illness from the beginning which explains much of his checkered history as a superhero. There's some great action and Domingues' art really makes the story come alive.
The negative though is that the story is interesting and an okay read, but at the end of the day, it's nothing special. Year One or Season One stories call to mind the idea of an epic story of beginnings and origins and the story feels too small for this purpose. I've read two of the DC Year One books (which if we're honest Marvel was trying to follow) and both imagined an epic series of adventures and first meetings, as well as big over-arching thought. Here we have Hank Pym developing something and deciding to take on an evil bald corporate honcho and that's essentially your story. Again, this isn't bad or annoying. It's pleasing to read, but it's not anything more than average.
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