Download Ebook Gutter Auteur: The Films of Andy Milligan, by Rob Craig, Foreword by Robert Patrick
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Gutter Auteur: The Films of Andy Milligan, by Rob Craig, Foreword by Robert Patrick
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Grindhouse filmmaker Andy Milligan has been the subject of a revealing biography, and boasts a grassroots fan base, but his remarkable work has thus far received no serious critical overview. Working virtually alone, on infinitesimal budgets, often using a used 16mm newsreel camera, Milligan crafted some of the most unique melodramas of the 1960s and 1970s. Often mounted as period pieces, using costumes sewn by the filmmaker, Milligan's gritty, bizarre films come across as inimitable meldings of the avant-garde theater of Jean Genet, the experimental films of Jack Smith, and the random cinema verite of a lunatic with a home movie camera. Yet Milligan's films are anything but random, ruminating at length on profound sociocultural themes of the day, including the emptiness of the sexual revolution. Evident throughout all the films are two pet themes: a rabid deconstruction of the heterosexual paradigm, and a grotesque illumination of the family as breeder of dysfunction.
- Sales Rank: #1317394 in eBooks
- Published on: 2012-11-29
- Released on: 2012-11-29
- Format: Kindle eBook
About the Author
Rob Craig has been writing about cult film for more than twenty years. His work has been published in such magazines as Videoscope, Screem and Horror-Wood. He lives in Stevenson, Connecticut.
Most helpful customer reviews
6 of 7 people found the following review helpful.
Interesting world to visit - even if you wouldn't want to live there
By david30084
Oddly enough, I read this book even though I've never seen an Andy Milligan film. Having read it, I'm not sure I ever will. That's not an insult to Milligan or to author Rob Craig; this is a very interesting book. I like Craig's books because they give me an insight into some of the fringe areas of film that otherwise may go unexplored. He respects Milligan's work and writes about it seriously and thoughtfully.
0 of 0 people found the following review helpful.
Over thinking that misses the real guy
By Adam Adiment
Let me first say that I'm a huge Andy Milligan fan. I think Andy produced gutter art. I mean that as a plus because I'd rather watch a guy paint a heavy metal album cover than pull an exhibition of White on White like I saw at an art museum years and year ago. He was definitely a guy with a weird sensibility but also frankly not all his ducks in a row. Lack of attention to detail, artistic copying, and wanting nothing more than to have sex with his actors were issues that seemed to plague him consistently.
So, it's a bit of a put on when Craig tries to make it seem like there's a guy with a fully formed sense to things here. Part of the fun of Andy is that he's not always fully in control. He's expressing himself but leaving a peak hole open or 2 for you to see something ragged on the other side. A good example is his self loathing homosexuality. Almost all the gay men in his films are objects of scorn and weak creeps who do nasty things to keep living in a gutter of one form or another. At the same time, they're placed on the same level as anyone else in his films. It's egalitarian in a roundabout way.
Craig tries to turn this into a Paul Morrisey meets Kenneth Anger style artist. Frankly put, Andy had no benefactor. He was never funded the way those guys were. He cranked out fantastic trash films with just enough substance to be artisticly interesting. It's hard to pull some of the stuff out here that Craig does honestly. Andy didn't include nudity and violence cause he just felt like it. He did it cause he needed money. The closest you get to maybe what Andy was genuinely interested in was maybe Nightbirds and Vapors and even those films have a producer demanded sex quota to meet.
All that said Craig definitely goes for it here. I can't fault him for lack of effort. I'm not really the audience for this either. I'd say part of the issue with the book is Craig injects himself and sometimes his politics into the matter. Basically, he wants Andy to agree with him. He can't possibly enjoy the work of a raving loon who made trash films to barely make rent. He contradicts himself occasionally too. It's typical of these kinds of collegiate style discourses where they seem to be still thinking it out as they go. Technically when you got such a huge uphill battle (Andy himself wasn't exactly a paragon of championing himself really), it makes sense that they would stumble about.
One of the best things about the book though is his sources. If you want to find new stuff on Andy, you got stuff here to run with. You also get to learn about all manner of weirdos and maniacs along the way. Craig does his best to set Andy in context of his various contemporaries and gives you all manner of other whack jobs to choose from.
It's not bad. It's not good. It's interesting. If you're a Millgan fan, you could do worse.
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