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Neptune's Brood, by Charles Stross
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The year is AD 7000. The human species is extinct—for the fourth time—due to its fragile nature.
Krina Alizond-114 is metahuman, descended from the robots that once served humanity. She’s on a journey to the water-world of Shin-Tethys to find her sister Ana. But her trip is interrupted when pirates capture her ship. Their leader, the enigmatic Count Rudi, suspects that there’s more to Krina’s search than meets the eye.
He’s correct: Krina and Ana each possess half of the fabled Atlantis Carnet, a lost financial instrument of unbelievable value—capable of bringing down entire civilizations. Krina doesn’t know that Count Rudi suspects her motives, so she accepts his offer to get her to Shin-Tethys in exchange for an introduction to Ana.
And what neither of them suspects is that a ruthless body-double assassin has stalked Krina across the galaxy, ready to take the Carnet once it is whole—and leave no witnesses alive to tell the tale…
- Sales Rank: #61923 in eBooks
- Published on: 2013-07-02
- Released on: 2013-07-02
- Format: Kindle eBook
From Booklist
Stross’ novel Saturn’s Children (2008) took place in a twenty-third century devoid of humans but replete with androids, including a professional sexual companion with no more biological customers left to service. This equally inventive follow-up occupies the same universe, albeit thousands of years later, featuring a new metahuman protagonist named Krina Alizond-114, whose consciousness can be beamed across light-years of space into newly fabricated bodies. When her sister, Ana, unaccountably goes missing, Krina sets out for Ana’s last known home base—the water world of Shin-Tethys—but she doesn’t get far before her ship is seized by pirates. While their captain, Count Rudi, chivalrously offers to ferry Krina to Shin-Tethys in order to meet Ana, his real motive is shadier: capturing a fabled and powerful monetary instrument called the Atlantis Carnet, of which Ana and Krina are part-owners. Readers new to Stross’ densely packed prose and profusion of ideas may want to switch to lighter fare. His many fans, however, will find the author’s usual wealth of futuristic scenarios and technological extrapolation enthralling. --Carl Hays
Review
“Witty, smart, and more relevant than you’d expect, this is a thoroughly entertaining sci-fi mind-expander from one of the genre’s most reliable imaginations.”—SFX
“A wonderful bouquet of ideas.”—Boing Boing
“The fun part comes from the way Stross devises his robotkind to act as humanity’s successor species—to imagine them not as intellects vast, cool, and unsympathetic but as very much like us, writ not large but as merely durable.”—Locus
“Agreeable characters, a fascinating backdrop and brilliant plotting, with a further outlook of lengthy grins and occasional guffaws.”—Kirkus Reviews (starred review)
About the Author
Charles Stross is a full-time science fiction writer and resident of Edinburgh, Scotland. The author of six Hugo-nominated novels and winner of the 2005 Hugo Award for best novella (“The Concrete Jungle”), Stross has had his work translated into more than twelve languages. His books include Singularity Sky, Iron Sunrise, Accelerando, Halting State, Glasshouse, Saturn's Children, Wireless, Rule 34, and The Laundry Files (The Atrocity Archives, The Jennifer Morgue, The Fuller Memorandum, The Apocalypse Codex, and The Rhesus Chart).
Most helpful customer reviews
44 of 44 people found the following review helpful.
Money, fast and slow
By D. Harris
This book is a follow up (not a sequel) set in the same universe as Stross's earlier Saturn's Children (and for completeness, a short story, "Bit Rot" in the anthology Engineering Infinity fits in between and is mentioned in passing here).
It is several thousand years in the future. Humanity has become extinct - and been recreated - several times. Taking our place is a flourishing society of post-humans, originally robots created to do our bidding (as described in "Saturn's Children"). They are tougher than us, better able to survive the rigours of interplanetary travel and able to be transferred, as software, from one body to another. Yet their design was originally based on ours, and they share all our failings and feelings (subject, of course, to the effects of a tweak here or there to increase empathy or decrease libido - the better to focus on the task in hand).
Krina Alizond and her kind inhabit a society that is enthusiastically colonizing the galaxy, establishing toeholds in remote systems where "beacons" and constructed to which colonists can be "beamed" and downloaded into freshly grown bodies. it's a lucrative trade, financed by massive debt, and Stross goes to some lengths to explain the economic basis of the whole thing. Debt is key here, as the brave new post human world is nakedly capitalist: newly created "persons" are owned by their progenitors until they have paid off the costs of their instantiation; newly founded colonies are also deeply in debt, which they pay off, generally, by founding daughter colonies which are in debt to them.
As I said, the post-humans of Krina's universe inherit our failings, and it's hardly surprising to find fraud, scams and unbridled greed flourishing as part of its financial system. Krina is a historian of such things, a "nun-accountant" on an academic piligrimage who plunges into adventure by accident (well, sort-of). Why is somebody trying to kill here? What's happened to her sister? And what does all this have to do with the failed attempt to establish the "Atlantis" colony, two thousand years before?
This book is a rollicking good read, with a crisp plot and plenty of trademark weirdness - from pirate bats to communist squid via a spacefaring church. You'd think a SF story based on debt and in a universe rigidly bound to slower-than-light travel could drag, but Stross turns both of these features to his advantage, creating something both outlandish and convincing. It's recognisably the same universe as "Saturn's Children" but it has evolved too. And the slightly nerdy heroine, who gets way too deep in something she didn't expect, is also easier to identify with than an all-guns-blazing SF protagonist.
All in all, a brilliant book.
36 of 41 people found the following review helpful.
Too Funny. Also, It Ingeniously Addresses the FTL Issue.
By L*
I don't usually think of Stross as funny, but this is barkingly funny. I mean, "laugh-out-loud", which is not something one usually associates with science fiction.
This is a slightly insane romp through several different cultures and biospheres; if you are looking for unusual world-building it definitely does not disappoint. Our hero(ine) goes from something that sounds like a hyper-computerized Japan to a floating catacomb to a waterworld, and that's only halfway through the book.
Also, one of the main conceits is that, well, no one has figured out an Alcubierre Drive. There is no ftl, which is what seems to make most current science fiction dated. (If you actually pay attention to real science, we probably can't have ftl, without ripping apart stars for power.) This has a very neat solution to that, which I'll leave to the reader to discover.
Well done.
18 of 19 people found the following review helpful.
An Intellectually Dextrous and Fascinating Look at the Future
By scott
With Neptune's Brood, Charles Stross has managed the improbable task of making interstellar finance exciting. He also breathes further life into a universe he first introduced us to in "Saturn's Children", exploring the worlds our children, the robots, have created as they colonized the stars--albeit very slowly, usually at about 1% of the speed of light. It is this odd mixture of global (galactic) finance, Ponzi schemes, interstellar settlement, duplicity by all too human robots, and the very real limits the speed of light imposes on all of these things in the year 7000 AD that is the subject matter of this fascinating book.
The tale begins with the story of Krina Alizond, a robot that could well be afflicted with Asperger's Syndrome and forensic accountant extraordinaire, who plans a small adventure to find her sister, rescue a lost financial transaction, and become fabulously wealthy. Of course, very little goes smoothly for Krina, and she ends up being pursued by several factions who would also dearly love to lay their hands on the stupendous fortune of "slow" money she may (or may not) have found. In the process of trying to escape those who would harm her, she ends up working on a flying interstellar church crewed by skeletons, tangling with nearly immortal hereditary rulers of planets, and venturing far beneath the surface of a planetary ocean that naturally spawns super critical nuclear reactions.
But at its heart, this novel is very much a satire. Robots may be artificially created, but they are very human in their desires and frailties. And the interstellar financial model and economy may not superficially resemble our own, but there is no doubt that Stross has the current global financial system firmly in mind as he gently (and sometimes viciously) mocks and satirizes the establishment. As a result, he produces some genuinely funny moments. He also manages a healthy dose or irony and criticism as he looks at how colonization develops, how rule by the powerful is maintained, and the lack of tolerance the majority has for minority cultures that are very different than their own.
As a result, the novel is quite an extraordinary achievement: it manages to stay well within the bounds of currently accepted physics, but present a fascinating interstellar society; and it extracts a surprising amount of mystery and intrigue from the world of accounting and finance--something many people would probably say is just not possible. (Books about double entry book keeping rarely make for anything other than a fine substitute for sleeping pills!) But Stross does pull it off, mostly. The action is lively, the mystery suitably intriguing, and the characters are both intelligent and funny. It is therefore an unlikely success, but unquestionably a success.
The book falls a little short of 5-star territory, if only because the extended descriptions of the financial system, and the differences between fast, medium, and slow money do get a little tedious at times. The narrative flashbacks also feel a little contrived--they exist a little too obviously just to explain the slightly confusing backdrop of accounting and wealth creation against which the plot and mystery unfolds.
However, when measured against other current works, Stross succeeds admirably. I can't help but draw comparisons to two other works. First, "Blue Remembered Earth" which also tackles the subject of how humanity (or its descendants and creations) reach the stars; and second, "Jack Glass" which deals with the economics of space travel and the high cost of accelerating mass to speeds useful to cross stellar and interstellar distances. In both cases, Stross navigates these waters more adroitly than his peers, and pulls off a novel that is satirically hilarious, satisfying as an adventure, full of interesting characters, and extremely entertaining. No small feat that.
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